🚨 AARYAN (2025) MOVIE REVIEW: Great Premise, Middling Execution! Vishnu Vishal’s Thriller Runs Out of Logic.

Blogger Verdict: An Idea-First Thriller That Murders Its Own Potential!

Aaryan begins with a genuinely audacious and brilliant premise: a failed writer (Selvaraghavan) commits suicide live on television, but declares he has orchestrated five more murders that the police must race to prevent. This high-concept setup immediately hooks you, promising a cerebral chess game between a dead killer and a living cop (Vishnu Vishal). Unfortunately, as debut director Praveen K attempts to flesh out this masterstroke idea, the film collapses under the weight of wobbly logic, convenient writing, and a preachy, unsatisfying motive. It’s a stylish, technically sound film, but one that ultimately mistakes rearranging a familiar story for reinventing the genre.

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💥 The Highs (What Works)

Expectation	Why It Hits
🤯 The Game-Changing Premise	The opening 20 minutes, featuring Selvaraghavan’s live-TV suicide and his prophecy of future murders, is masterfully executed and provides an unprecedented hook for a Tamil crime thriller.
👤 Selvaraghavan’s Magnetic Act	As the antagonist Azhagar, Selvaraghavan delivers one of his best acting performances . His haunted eyes, unsettling calm, and deadpan delivery make the character’s madness believable, even when the plot surrounding him is not .
🎶 Ghibran’s Background Score	Ghibran's BGM is the racy lifeline of the film, constantly amplifying the tension and dread that the screenplay fails to sustain  The dark, noir-like cinematography by Harish Kannan complements the tense mood perfectly
👮 Vishnu Vishal's Restraint	Vishnu Vishal plays DCP Nambi with controlled, composed intensity, avoiding the usual 'mass cop' antics. His underplayed performance works, letting the unconventional premise—and his antagonist—gleam

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❓ The Lows (What I'm Keeping an Eye On)

Concern	Why It Falters
📉 The Logic Collapse	The central issue is the logic of the third act [. The mystery surrounding the killer's ability to orchestrate murders from beyond the grave is explained away with increasingly convoluted and convenient plot devices that destroy the initial credibility of the premise .
🗣️ Messy, Preachy Motive	The killer's ultimate justification—that the victims were murdered because they were 'unsung heroes' unappreciated by society—is a forced social message that feels shoehorned and emotionally unearned . This diluted climax leaves viewers feeling disappointed and questioning the film's moral core .
🥊 Unnecessary Masala	The film loses rhythm with forced, unnecessary 'star' moments like a random, out-of-sync harbor action sequence. These moments, designed to elevate the protagonist, contradict the film's initial cerebral tone and add nothing to the core investigation .
😴 Dragging Pacing	While the setup is racy, the investigative segments often move at a monotonous, slow pace. The hero often seems reactive and incompetent, merely repeating clues already given to the audience, leading to viewer fatigue .

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⚖️ The Hot Take: Early Verdict

Aaryan is another classic case of a film starting as a cerebral thriller and ending as a confused melodrama with a social agenda. Its fantastic premise ensures a gripping first half, and the performances by Vishnu Vishal and Selvaraghavan are commendable. However, the film ultimately fails to stick the landing because the writing struggles to match its own intellectual ambition. It’s a thriller with a brilliant mind, but unfortunately, it sacrifices its brain for a weak heart in the final act. Passable, but far from Ratsasan’s league.

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The Crime Scene Report: Key Details (Spec Sheet)

Detail	Specification
Title	Aaryan (2025)
Starring	Vishnu Vishal (as DCP Nambi), Selvaraghavan (as Azhagar), Shraddha Srinath
Director/Writer	Praveen K
Music	Ghibran
Genre	Crime, Psychological Thriller
Running Time	2 hours 16 minutes
Release Date	October 31, 2025

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